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What does a famous drummer have in common with war heroes? More than you might think.
I walked into the hospital with one thought continually racing through my mind: What would I say to them?
I’d gotten a call just a few weeks before from a representative for the USO (United Service Organizations). “We’ve heard about your inspiring story,” the man said. “We’d like you to come to Walter Reed Hospital and visit with some of the soldiers who’ve been injured in combat. Maybe you could help them get through it.”
My “inspiring story” hadn’t felt so inspiring back in 1984 when I’d made headlines: DEF LEPPARD DRUMMER LOSES ARM IN AUTOMOBILE CRASH.
Two horses were trapped on an icy mountain. Would help arrive in time?
I hadn’t lost my arm in any act of bravery. I’d been driving too fast on a winding road, thinking—like most 21-year-olds—that I was invincible. I’d eventually learned to drum again with only one arm, and our band had gone on to even greater success than before the accident.
And while a lot of fans and critics had thought my continuing to “rock on” in spite of missing an arm had been cool, I’d never met a war hero before. They were so out of my league—they’d risked their lives for their country. Maybe these guys who’d been injured in combat would resent my coming in and telling them everything would be OK. After all, who did I think I was?
My first few minutes at the hospital weren’t as tough as I’d expected. The soldiers seemed to get a kick out of meeting a rock star. I signed autographs and took pictures. Some of the guys in hospital beds told me about their favorite Def Leppard songs, mimed beating a drum while they imitated the sound of crashing cymbals.
“I can’t wait to tell my buddies I met you.” one said; “Wait until I show this picture to my wife!” another shouted, shaking my hand. Then the hospital administrator said, “We’d like you to meet Harris*. He lost an arm in combat.” I took a deep breath, and my wife Lauren and I followed him to Harris’s room.
Harris’s injury wasn’t the first thing I noticed about him. It was that big, black cloud that hung over him that got my attention. I looked at Lauren. She didn’t say a word but her eyes urged me forward.
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“Hi, I’m Rick Allen,” I said to Harris. He nodded, never looking up. Now what?
I sat down by his bed. A few minutes went by in complete silence. It was so awkward, it felt like hours. Eventually, Harris looked at me—and I realized that words weren’t necessary. There was a knowing, a camaraderie. A tear ran down Harris’s cheek. “I know, man,” I said. “I know.”
Harris and I talked for a long time about the loss, the fear, the helplessness. I told him how humiliated I’d felt when I first lost my arm, how my older brother Rob had become my babysitter—feeding me, bathing me, brushing my teeth, everything—until I could do simple everyday tasks.
“You’ll learn new ways to do things,” I promised Harris. “And I’m going to help you.”
I’d made a promise to Harris, and I intended to keep it. Only problem was, I didn’t know how. Lauren and I talked about it that night. “What brought you back was the drumming,” she reminded me.
It was true. I had lain there helpless until I’d found myself drumming out rhythms with my feet. Rob had brought in a stereo, and I’d pounded out rhythms on a piece of foam at the foot of the hospital bed. Then an engineer friend designed a special drum kit for me that allowed me to play with one arm and my legs. Learning to drum that way had required intense focus and concentration and had taken me away from focusing on what I couldn’t do anymore. Maybe Harris and the other veterans could do the same thing.
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The next day, I called the USO. They directed me to something called the Wounded Warrior Project, a group dedicated to helping injured veterans heal both physically and mentally. Soon, Lauren and I started leading drum circles for the Project.