Guideposts Classics: Graham Kerr's Spiritual Awakening

Guideposts Classics: Graham Kerr's Spiritual Awakening

In this Guideposts Classic, TV chef Graham Kerr shares how faith saved his marriage.

Graham Kerr, the Galloping Gourmet

Scissors are a wonderful invention, two blades that pivot on a pin. God made man and woman in the same way–two blades. And He put them together with a union called marriage.

We were married, put together by God, on September 22, 1955, but our marriage scissors never worked. The only exposed edges were the points, and points are for stabbing, not cutting.

We loved each other, we always have–ever since we were 11 years old and held hands briefly at a party where we had strawberries and cream and played badminton and listened to the bees.

Treena: My father was a genius, a portrait painter who alternately followed his own will and his clients’ whereabouts. We never knew from one year to the next where our home would be.

Graham: My parents ran a hotel and I grew up experiencing a “champagne existence on a beer income.” I never made a bed or had to wash a dish; the hotel staff managed all those incidentals. My parents were always busy. The holidays were working days, and we never shared with the community.

I was a loner when I first met Treena in England. She was the loveliest thing I had ever seen and we became close companions. She had younger brothers, but I was an only child.

We used to listen to the radio while the rain ran down the diamond-shaped leaded panes and debate the sinister motives of a bystander in a trench coat as he innocently waited for a bus.

We rang each other on the phone and read poetry or just listened to the other breathe.

Treena: My family finally left England and went to the Channel Islands. I used to write to Graham occasionally, and I daydreamed about our early “love.” I grew up in a difficult home. My parents were not loving parents, and I sought a release from painful reality by becoming an actress.

I was quite good, at least the critics used to say so. I loved the cameo parts where I could steal the show but still feign non-competitiveness with the rest of the cast.

I got love from the audience on my terms; when the curtain went down I was satisfied and didn’t have to trade love on a one-to-one basis.

Graham: While Treena was acting, I became a soldier. One day in camp, I opened a newspaper and there, spread over the center pages, were photographs of Treena, my first love. She had won a beauty contest and she looked radiant.

I wrote and she answered. The thread remained unbroken.

Treena: In 1954 I returned to England and wrote to Graham. He replied and within a month we had met and found that after nine years of separation our love was still alive.

Graham: Within ten hours of being with her I proposed, and Treena said yes. We were living our early love again, but this time there was drama, urgency, drive; we were adults, now. though we didn’t always act like it.

Treena: I had a violent temper and a very acid tongue. I was more seriously hurt by my early environment than I–or Graham–knew.

Graham: While Treena was the spark. I seemed to be the drive in our marriage. When her moods were electric I would “take it.” but also build resentment at the same time. I found release in working.

As the work element increased, my available time and attention for Treena decreased. I began to set my sights on possessions–Italian cars, homes by the water, luxurious yachts. And a burgeoning TV career in Australia provided the wherewithal to turn some of those materialistic dreams into reality.

Treena: By this time I was in the theater again, happy and contented, feeling I’d finally got things together. We had two children and I could manage the housework and the theater and Graham ... when he was home.

Graham: Treena would try to time her stage work to coincide with my TV recording dates, but it never seemed to work. The plays she did always ran longer than expected and it seemed that we were never together. The theater became my rival; her work seemed to give her more joy and satisfaction than I could.

Finally we lost control. Success, exposure to luxury and to the smart show-business set, coupled with the pursuit of two separate careers, were too much. The time came when I sought sympathy and attention from another woman.

I cannot possibly express the absolute hell that followed that senseless, brutal act, the tearing at both our hearts with the points of the scissors.

Treena: I was filled with righteous anger; I felt dirty and ashamed. It was so unfair. “Why? Why? Why?” I demanded.

Graham: “I don’t know,” I would reply. All I knew was remorse for our lost love, and a furious desire to make up for it somehow. I would do things, buy things, go places; it was all external patching up when an internal healing was what was needed.

We were submerged in a sea of recrimination, unforgivingness and eventually retaliation. We hacked away at each other with separated blades.

In 1968 we were discovered by American television interests and brought from Australia to perform The Galloping Gourmet series.

In an effort to save our failing marriage we agreed that we would cooperate in the production. Treena would be the producer and I would be the clockwork cook. The pressure of the nonstop pace of 200 new shows a year was agonizing. The enemy now became the work load that we shared.

Professionally, we were a tremendously successful team. All the thwarted power of love was converted into drive and ceaseless competition to see who could do the most before collapsing. By April, 1971. we had well over a million dollars in the bank.

In that same month we were hit by a huge truck on Highway 101 outside of San Francisco. Our careers were ended.

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